Chunky Move’s award-winning dance work 4/4 will return to Naarm/Melbourne this November, for three highly-anticipated performances presented by University of Melbourne Arts and Culture (UMAC) at the Union Theatre. This limited run gives hometown audiences a final chance to experience the enthralling work before Chunky Move premieres 4/4 in the UK and Europe, kicking off the six city tour […]

The post Chunky Move’s ‘4/4’ returns to Naarm/Melbourne this November appeared first on Dance Informa Magazine.

Drama Theatre, Sydney Opera House, Sydney.15 March 2023. Sydney Dance Company started its 2023 season with a bang this March at Sydney Opera House, exploding onto the stage with three very distinct works by three very diverse choreographers. Coming together with Artistic Director Rafael Bonachela, whose work I Am-ness opened the night, newly appointed Danish Dance […]

The post Sydney Dance Company ascends in triple bill appeared first on Dance Informa Magazine.

Ascent, co-commissioned by Canberra Theatre Centre, is an inspired triple bill that will be performed by Sydney Dance Company at the Sydney Opera House from 15 – 26 March, as part of the 50th anniversary celebrations. This exciting first season invites Chunky Move Artistic Director Antony Hamilton with his Helpmann Award-winning work Forever & Ever, along with two world […]

The post Creative intellect at its best: Sydney Dance Company presents ‘Ascent’ appeared first on Dance Informa Magazine.

Dance Informa had the opportunity to chat with choreographer Stephanie Lake during a break in rehearsals for her latest work, Skeleton Tree. Premiering in Dance Massive 2019, rehearsals have only begun, and she still has another six weeks to develop and refine the work. So, how are rehearsals going? “We’re right in the thick of […]

The post From the rehearsal studio: A talk with Stephanie Lake on ‘Skeleton Tree’ appeared first on Dance Informa Magazine.

Roslyn Packer Theatre, Sydney. 17 October 2018. The latest double bill from Sydney Dance Company, Forever & Ever, featured two very contrasting works. It opened with Rafael Bonachela’s Frame of Mind, this time with Bryce Dessner’s relentless driven score performed live by the Australian String Quartet. Dessner’s work was written as a musical evocation of home […]

The post Two contrasting works in Sydney Dance Company’s ‘Forever & Ever’ appeared first on Dance Informa Magazine.